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With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, & up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture & to nimbly take on documentary, gimbal, & drone shoots on its own. The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. Phase Detection AF/Face Tracking/Eye AF.15+ Stops of Dynamic Range in S-Log 3 EI.4K Full-Frame 10.2MP CMOS Exmor R Sensor.
Full frame insurance full#
Full Cages, Shoulder Rigs & EVF/Viewfinder options are available. Unless these are features that you absolutely need, there’s no reason not to pick the SL1.* Urban Cine’s FX6 Cameras are available with Compact V-Lock Batteries, BP-U Type Batteries, & various rigging options. It doesn’t have WiFi or a flip-screen and it does have a slightly slower shooting speed. In fact, this camera is exactly the same as the famed Rebel T5i, with a few modifications to make it smaller. In layman’s terms, it has a sensor and an image processor which are both of excellent quality, with many other features that will rival any other professional camera on the market.
Full frame insurance 1080p#
There’s a 3” touchscreen LCD on the back for shooting or previewing, and it records full HD 1080p video at 30 frames per second (fps). The Canon EOS Rebel SL1 boasts an 18 megapixel APS-C CMOS sensor and a DIGIC 5 Image processor. This comes together to form a camera that is both extremely small and has a wide range of functionality.Īnd let’s not forget get that body of this camera weighs just 14 oz (less than a pound). To put this into perspective, it’s about as wide as an iPhone 4 is tall, and it’s about as tall as a cigarette lighter. It’s 4.6 inches wide, 3.57 inches tall, and has a depth of 2.74 inches, excluding the lens. The Canon EOS Rebel SL1 is the world’s smallest and lightest DSLR camera. I travel carry-on only everywhere I go, and I’ve been able to do so partially by keeping the size of my camera gear to a minimum. There are multiple factors to consider when purchasing a camera for traveling, but the most important to me is the size. Nighttime long exposure at a Bedouin camp outside of Petra, Jordan. And unless your skill level has developed beyond the technical capabilities of your camera, there’s no need to spend more for the sake of these top-of-the-line features. Spending more doesn’t mean you’re getting better quality images-it just means you’re getting more advanced features. Here’s the deal: unless you’re a professional photographer, it’s entirely unnecessary to spend all that extra money on a big, shiny camera.
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As someone who travels a lot, the oftentimes bulky equipment that so many people travel with just doesn’t make sense for me.Īnd for some reason, I see so many people walking around with expensive, unwieldy camera equipment that they don’t know how to use. The body of my camera actually costs less than a quarter of that price.īecause I travel so often, I’ve had to find a way to balance the quality of my equipment with size. Now, photographing the world around me is one of my favorite things to do, and one of the most common questions I receive is about the camera gear that I’m shooting with, and what I think is the best camera for traveling.ĭespite what many people think, I’m not using a top-of-the-line, professional camera that costs $2,000, or even half that. And despite the fact that much of my college years were spent inside lecture halls rather than darkrooms, my interest in photography has extended into my adult life and my travels. My passion for photography started when I was a teenager.
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